When my film "enlightenment should be turned guaranteed " of Doris Dorrie , I did not expect too much. A German film, which deals with Japan ... did not sound bad, but not after a big sensation.
Only the actors name in the credits (Uwe Ochsenknecht, Gustav-Peter Wöhler ( some known from SK Kölsch)) have suggested before, that not everything sucks, just because it says Germany . And since I could think of nothing better anyway, as the film then watch it, I should stop talking about him bad. It is he who no:
HOW?
suggest the first few minutes that you have not switched on accidentally V O X and mirror TV has landed: comic, almost amateurish camera work, terrible sound quality and texts, not not sound as if someone had thought about it written down and a second memorized and spoke into the camera. This documentary-like runs through the film, yet supported by Uwe camcorder with which both the film itself makes it more authentic. Yes, expected at any moment even a Off spokesman, who turns and says, have "We are twelve clock in the evening. Uwe and Gustav are finally in Tokyo and explore the city first - but they expect a nasty surprise "
or inappropriate Subtitles:
/ / Gustav . / / Uwe .
Mag kimonos. / / has started to smoke at 14 . / / Sometimes it is almost too authentic :
All characters speak in with their real name Uwe Uwe plays, Gustav Gustav and Uwe Ochsenknecht sons play Uwe's sons. Gustav, which admits the end that he is gay, is it actually in reality. All texts are in my opinion, at least for the most part, improvised . This has strange because the boundaries between reality and fiction blur rather, something that had just taught me, actually is very unprofessional. Doris plays with this invisible Limit which is quite often very strange, but interesting.
But we get away from HOW? through to WHAT?
What?
It mostly goes to the two men Uwe and Gustav. At first we see a glimpse of their two different, completely normal and not particularly great life: Uwe, the irritated father, who does not realize that his wife has no more buck to him, Gustav, the Feng Shui consultant Freak and Asia. Only after separating from Uwe Uwe's wife, it is clear what links the two different men with one another: they are Brothers.
And Gustav, the good soul, takes his freshly abandoned brother on his self-discovery trip to Japan to Monzen Zen monastery. B efore they
arrive there, they lose a lot and win back as much.
through the film Gustavus little Zen book that now and again with a completely senseless , but usually comes up with pretty matching situationsbezongenen sayings. From time to try the two also translate to some incomprehensible drivel in "normal" language, which not only interest but a real job thus shows. It mostly goes to the two men Uwe and Gustav. At first we see a glimpse of their two different, completely normal and not particularly great life: Uwe, the irritated father, who does not realize that his wife has no more buck to him, Gustav, the Feng Shui consultant Freak and Asia. Only after separating from Uwe Uwe's wife, it is clear what links the two different men with one another: they are Brothers.
And Gustav, the good soul, takes his freshly abandoned brother on his self-discovery trip to Japan to Monzen Zen monastery. B efore they
arrive there, they lose a lot and win back as much.
takes over the role of the book later, the abbot of Koster, who arrives here and there with Japanese whiteness . The subtitles are not easy, but later reflected by Uwe and Gustav and German play.
All in all a really nice, beautiful, at times funny film (or actor knows that you never in the movie) a lot of the characters get closer than the sterile "normal" stilted acting Film.
is brought close to one the strangeness of Japan, the religion, but also that Zen may be a way for everyone.
trafo_q, 10.11.2009
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