As A few years ago I first had to present a paper, I stood trembling before the class. I clung desperately to my cheat sheet.
with great interest that I looked at the floor.
My topic? - not know.
It was horrible.
is likely that each so, of the need to go through - you can learn as much as you want, but if you stand in front of 30 people, you have everything, really all I wanted to tell you what, forget completely. I am firmly convinced that this state - spectators on one side and an individual on the other - is not natural and human in us releasing primal fears.
There were two things that make me want to become very quiet over there:
First, a very nihilistic world setting, "but is not matter anyway." The following setting is shared by most of the audience. For which there is still much matter who submits as what, who are happy if they are left alone to discuss during this anyway on the last weekend / do their nails / write my homework for the next hour. Knowing this, it is a big help. It would probably not even notice if you would just start, Nabokov, Berne man or read de Sade, if you suddenly speak Russian and would be upside down. Probably one could leave the school building even unmolested and would only notice them when you sit in the bus (or bicycle or on the hovercraft, depends on the weather and the coolness of the person concerned).
Second: improvisational theater. That says something probably no. Additional Keywords: Free Clue (pro7, and here I would like to write down when that comes, but as fast as the knock their program, it is impossible to make it an accurate statement, and all that I would say possible, rather than conjecture or pure rate of accurate, reliable data. ), or does even better, Schiller Street (SAT1)
improv that you have no text, no play, no role and usually do not know. Sometimes it seems to me so steps to swim on the high seas without a life preserver. This can sometimes be very stressful, and there are moments where I forget why I'm doing it anyway (yes, why?).
Improv Theater has no text, but some structure: there is passing away games in the rules you must adhere while, but it has, the more freedom, sometimes frightening lot. is
In one of these games first asks the audience a place, say, a public toilet. The first of the three people enter the stage and defined the toilet, all pure pantomime. There are no scenes, as well?
If the place is evident, is the second person to its mission: relationship. Is she a stranger, an enemy, the best friend?
In our case, it is their affair in the workplace. The two disappear in one of the Klozellen. But - to come out no more. The lock jammed.
time person for three, their job: the conflict. Is it the
Kloputzfrau that the two yelling?
Is it the boss who wants to cancel both?
Is the fire department, they called in desperation?
Or is it the co-worker, she laughed at the first ringing?
The intern who helps them escape?
It is in our hands. Exclusively.
props are as unthinkable as Scenes, which is why most of the time is busy trying to remember where you have in mind just shut off the invisible, mug represented in pantomime, where the door is and where the cabinet is. When we played once with a chair, I was happy to settle for the first time this subject with which one could do so incredibly much because he was just there. visible for everyone. It was not only my job to make the audience knows that is not me on an empty stage, but in a garden shed / at a bus stop / Zoo / in a modern but messy kitchen are.
This is improv.
And it takes no talent to say only a certain amount of training in free association and the will to "Yes". If someone asked you that you are screaming on the floor passed, then status but simple. If someone asked you to invent a spontaneous song, along with text and everything, then just sing. (This is now obviously not for this stupid example with the window to jump out of it, but that was only the first 145x that one has heard it, funny.) I may, on its experience said that a "Yes" say-although not to Hollywood, but shall in any case a better grade in the next presentation is. And sometimes, very rarely, not often (but more often) we are pretty good, and our dialogues beat any predetermined, memorized, cobra-11 and afternoon court show scenarios by far.
trafo_q, drinking published in a special edition of the school newspaper on "Leisure"
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